With its emphasis on detail, pattern, and texture, macro photography can yield rewarding and unique results. In this gallery, learn what makes a great macro shot and get tips on how to turn your extreme close-ups into compelling photographs.
Here, a macro lens and diffused macro twin flash capture the intricate detail on a bee and flower.
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Photograph by John Kimbler, Your ShotLadybug on a daisy
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Photo Tip: As a general rule you should use an f-stop no wider/larger than f/16 to get all or most of the main subject in focus. If you are photographing a subject that can’t be arranged more or less on the same plane, you will have to decide which parts of it you want in focus.
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Photograph by Yoann Ducamp, <a href="http://ngm.nationalgeographic.com/myshot/">Your Shot</a>These are dandelion seeds from the parachute ball. A different way to capture dandelions entertained me the entire afternoon. With a breeze blowing that caused abrupt and delightful interruptions, I managed to finally get a result I really liked. Subject, arrangement, and lighting provided entirely by Mother Nature.
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Photo Tip: Experiment with wider/larger lens apertures, which will throw more of the subject out of focus and may produce pleasing artistic effects.
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Photograph by Michele Sutton, <a href="http://ngm.nationalgeographic.com/myshot/">Your Shot</a>Miniature model cars on a rubber ball
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Photo Tip: When shooting macro photography, using a narrow depth of field is unavoidable. This actually causes a pleasant result, since the background will appear totally out of focus, and you can usually use a natural setting to compose your picture. While you won't have to fuss too much with what's going on behind your subject, don't forget to check for any distracting or jarring background elements.
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Photograph by Peter Martin, Your ShotThe eye of an ember parrotfish
Photo Tip: Get creative with macro photography by shooting the subject from an unexpected angle. Try different lighting, as well, using front lighting for deeper color saturation and side lighting to highlight texture.
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Photograph by Paul Sutherland, National GeographicA common European honeybee depositing honey. Shot at life-size with a Canon MPE-65mm macro lens.
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Photo Tip: Macro photography is really successful when the image has a main point of interest and that point or subject is composed well within the frame. Choose a simple background so it doesn’t compete with the main subject for a viewer’s attention.
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Photograph by John Kimbler, Your ShotA project about how fragile and how important are all the living species that surround us
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Photo Tip: A close-up attachment is a flat, filter-like lens that mounts to the front of your normal lens (it usually screws into the filter thread) and allows you to focus more closely. You will be able to focus at closer distances, although the maximum magnification will depend on the focal length of the lens you’re attaching it to.
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Photograph by Ivan Nava, Your ShotLeatherwing beetles are always visiting my marigolds, and I took this one with a Nikon D80 and Sigma 150mm macro lens, handheld. They are always moving, but this guy stood still and posed nicely for me.
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Photo Tip: Shooting flowers, leaves, and insects outside can be a challenge. A perfectly composed shot can be quickly ruined by just a whisper of a breeze. Stop unwanted subject motion and blur. Before you set up your shot, try planting a stick in the ground and tether the flora to it for stability. Use the fastest shutter speed possible and use a ring flash or flash units mounted to your lens if shooting at a low aperture.
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Photograph by John Troiani, Your ShotWinged insect, Admiralty Park, Singapore
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Photo Tip: A good sturdy tripod is essential. You have two options. You can buy a tripod with legs that splay wide enough to allow a very low position, or you can buy a tripod that has a reversible head stern that allows the camera to hang facing down under the tripod.
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Photograph by Jervis Mun, Your ShotOut this afternoon to see what was "waking up" ... not much yet, but the Euphorbia during late winter is a beautiful red brown. Here the very tips of the plant in macro yield a pleasant shot.
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Photo Tip: If shooting outdoors, macro photography is effective on bright days when you don’t have to use a very slow shutter speed. A bright, overcast day works especially well, as it will also light your subject evenly.
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Photograph by Terry Bridges, Your ShotBlack spider
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Photo Tip: It is usually impractical to use your camera’s built-in pop-up flash when doing macro photography. The length of the lens, with or without all of its macro attachments, will cause a shadow from the camera’s flash.
One solution is to use an external flash. The best type of external flash will have a head that rotates and elevates.
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Photograph by Maneesh Kaul, Your ShotTaken during an exam night, when I was reading notes and all of sudden saw this small insect sitting on one of my notes, and as usual my camera (Canon Powershot A470) was lying beside me. I waited a while for this insect to move into the perfect position so that I could click it. Finally he stood at this point, which was the best I could get, as it flew away after the shot was taken.
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Photo Tip: If you find an insect or small creature that allows you to get close to it, start shooting! When making macro photographs—especially of moving subjects—be prepared. Make sure all your camera settings are correct because you may only get one shot.
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Photograph by Ankit Mavchi, Your ShotPulsatilla crop, with many dewdrops
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Photo Tip: Autofocus doesn’t always work well when shooting extreme close-up photography. Switch to manual focus and you’ll get more consistently sharp macro pictures.
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Photograph by Peter Racz